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Queen Nation is currently the undisputed Queen tribute champions and #1 ranked Queen tribute band in the United States verifiable on Yahoo, Google and AI searches. A title well deserved having notched over 1,500 live concerts under their belts for approximately 2.7 Million fans over the last two decades...

Beatles vs. Stones is an on-stage mash-up duel built around rock’s biggest debate: The Beatles or The Rolling Stones? The show features internationally renowned tribute bands Abbey Road and Satisfaction - The International Rolling Stones Show.

Los Angeles-based Bohemian Queen is a five-piece Queen tribute band led by Paulie Z as Freddie Mercury, with a live show built around Queen’s catalog and theatrical costume changes.

Experience a live retrospective of the Rolling Stones' golden era, where meticulous attention to detail in performance, wardrobe, and stage presence brings the swinging '60s back to life.

Chicago tribute led by South Side Chicago native Kenny Cetera, whose credits include Chicago 17 and touring with Chicago. He added tenor vocals to songs including You're the Inspiration, Stay The Night, Along Comes A Woman, and Prima Donna.

Southern California’s Lovedrive has been performing a Scorpions tribute since 2012, covering late 70s, 80s, 90s, and 2000s material. The band was dubbed the “Best of the Best in the West” by Scorpions drummer James Kottak.

Pick Your Poison is a Poison tribute built around the band’s hits, 80s-era look, and a visual live show with choreography, props, smoke, confetti, and LED lighting. The set includes Talk Dirty to Me, Nothing but a Good Time, Unskinny Bop, Your Mama Don’t Dance, and Every Rose Has Its Thorn.

Rumours, a tribute band formed in Los Angeles in 2012, authentically replicates Fleetwood Mac's 1975-1987 era with a meticulous show featuring Jesika Miller, Tuzy Ellis, Ned Brower, Taylor Locke, and Nic Johns.

Los Angeles-based The Who Generation is a tribute to The Who, featured on AXS-TV’s The World’s Greatest Tribute Bands. Two members have also performed with, and for, Roger Daltrey.